Piers only paints what really matters to him; his children, his beloved dog Audrey, his motorbikes and his regular life-models are amongst these. His most critical eye is saved for his self-portraits which punctuate the decades. Of equal importance to him is the act of painting and the formal aspects which go with it. The mystery of putting colour down on a flat surface to ‘represent’ a view of often great depth without creating a copy of what he sees is central to his unique vision.
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